The redrafting process is like puberty: you go through stages of angst, love, hate, uncontrollable sobbing, cutting one's wrists, smiling with glee, feeling self conscious, embarrassment, self-hatred, narcissism, tantrums, giggling, procrastination, ambition, 'screw the world and everybody in it', 'I want to be loved!' and well, you get the picture. I think now I can say it's true, writers hate what they write, it's a strange one. I've got up to chapter 8 and all of his older friends are in a position where I can say, "well, okay, I should leave it there and work on the rest" and just the other day I sat there reading it, connecting with my characters, getting into my plot thinking, "hey, maybe it's not so crap after all." Then it came to reading it again and I thought: "what a bunch of emotional drivel, oh boo-hoo, said character has a sob story, why should the reader care? Why should they connect with this pile of rubbish?"
It's probably not a pile of rubbish, I could be one of those hard to please types, well, I say I could be hard to please, though I know cake usually works and then I'm smitten, perhaps if it were a novel about cake, then I'd be pleased quite easily - perhaps it'll only need 1 draft, however, it'd just be 350 pages of "cake cake cake yay cake I like cake yum yum cake chocolate cake lemon cake raspberry cake bake me a cake cake cake", no punctuation? I could equate my work to that of James Joyce...you never know, it could be a best seller. But the point still stands, it needs to be good, not to be some second rate Tesco value cake, no no no! It has to be a grand masterpiece, custom tailored gourmet cake with ingredients from the 5 most delicious countries in the world. Did you know that one of them is Belarus? Who'd have thought? Less about cake...
Really (I've found), the redraft is about discovery, learning what works and what doesn't and it can be a gift or a curse. Consider this: draft 1 - female protagonist, I felt some of her feminine characteristics might affect her relationship with other people and how people treat her. Redraft: Male protagonist, because I thought it'd suit me better as a writer...then...I decided to switch back to a female protagonist in what I call 'Asaros Redraft', just because actually, it works a lot better in my opinion. I hope to not offend women out there through my portrayal of a female character in first person, alas, I'm not a sexist, I have a male character who spends a lot more time in the kitchen than she does (I think all she does is make a cup of tea on one occasion) and she's quite the Bjarndyrknot player, so no backward sexist stereotypes here.
She's had to become strong in order to look after herself and that explains her behaviour in the first few chapters (explosive, reckless, angry), but once people enter her life again, her sensitive side is allowed to show and because of her strong relationship with her older brother, she is able to display characteristics of being a little sister who looks up to her brother, despite how strong she really is. Though, it does open up a difficult road ahead, I've got to start thinking like a girl and yes, that means I'll have to return to previous chapters again and in 'Asaros Redraft' I've tried giving it a shot, though I suspect I'll be returning nonetheless.
One seemingly simple difference and it just creates more and more work, hence 'curse', however, now my working mode is set to: Motivated. I want to see my character unfold and I want to read past chapter 8 again, I want to redraft chapters 9 and 10 again and finally move onto explaining why the world is the way it is, to properly introduce my main antagonist. I want progression, because progression is exciting! Guns, rollercoasters, explosions, action movies, Alan Rickman, they're nowhere near as exciting as the road ahead!
Anyway, that's my rambling for now. I'll probably have more updates soon, who knows?
P.S. Sorry Alan, I take it all back.